Course: M.A.
English (Sem-4)
Paper no.:
Paper – 14, the African Literature
Topic: Comparison
between Indian Literature and African Literature
Roll no.: 23
Year: 2015 –
2017
Submitted
to: S.B. Gardi, Department of English
M.K.
Bhavnagar University
Comparison between Indian
Literature and African Literature
What is
Indian Literature and African Literature:
Indian Literature: The term Indian literature is used here to refer to literature produced across the Indian subcontinent prior to the creation of the Republic of India in 1947 and within the Republic of India after 1947.
African Literature: African literature is literature of or from Africa and includes oral literature. "Literature" can be the part of Asian also implies an artistic use of words for the sake of art alone. Traditionally, Africans do not radically separate art from teaching. Rather than write or sing for beauty in itself, African writers, taking their cue from oral literature, use beauty to help communicate important truths and information to society. Indeed, an object is considered beautiful because of the truths it reveals and the communities it helps to build.
Similarities
between Africa and India:
- Both have tropical climates
- Both had ancient civilizations before the rest of the world.
- Both were colonized by Europeans (British, French, Portuguese) where they couldn't outnumber the natives and therefore.
- Both have light skinned people in the north and dark skinned people in the south.
- Both have a sizeable Muslim population.
- Both have tropical rainforests and deserts.
- Both have a diverse population.
- Both have the most well-known elephants.
- Both have poverties.
- Both have conflicts.
- They are some of the most populated places in the world (Since Africa includes all African countries). India is technically the second most populated country in the world.
- Both have tropical climates
- Both had ancient civilizations before the rest of the world.
- Both were colonized by Europeans (British, French, Portuguese) where they couldn't outnumber the natives and therefore.
- Both have light skinned people in the north and dark skinned people in the south.
- Both have a sizeable Muslim population.
- Both have tropical rainforests and deserts.
- Both have a diverse population.
- Both have the most well-known elephants.
- Both have poverties.
- Both have conflicts.
- They are some of the most populated places in the world (Since Africa includes all African countries). India is technically the second most populated country in the world.
- Very multicultural in many ways, ranging from
cuisine to architecture to clothing and religion.
- Mostly have dark skin.
- Both have deserts and forests.
- Both are home to native elephants and tigers.
- Both have camels.
- Religion plays an important role in both places.
- Both are peninsular
- Both were ruled by British.
- Both had ancient civilizations (Egypt & India)
- Both have tropical climates.
- India is considered to be a sub-continent and Africa a dark continent
- Both people have similar skin colour
- Both were ruled by British.
- Both had ancient civilizations (Egypt & India)
- Both have tropical climates.
- India is considered to be a sub-continent and Africa a dark continent
- Both people have similar skin colour
Differences
between India and Africa:
- India is a country; Africa is a continent (With many
counties inside).
- Curry is widely consumed around India, but not in
Africa.
- India has president, while different African
countries have different leadership (Some are ruled by dictators).
- Majority of Indians are Hindu. As for Africa, I
think its Islam (But im not so sure about this.).
Comparison
between Indian Literature and African Literature:
Indian literature is
generally believed to be the oldest in the world. With vast cultural
diversities, there are around two dozen officially recognized languages in
India. Over thousands of years, huge literature has been produced in various
languages in India. It is to be noted that a large part of Indian literature
revolves around devotion, drama, poetry and songs. Sanskrit language dominated
the early Indian literary scene whereas languages like Prakrit and Pali too had
fair share as they were the languages of the common people. It is
interesting to note that the Hindu literary traditions have dominated a large
part of Indian culture. These traditions are well reflected in great works like
Vedas and epics such as Ramayana and Mahabharata. Treatises like Vaastu Shastra
(architecture), Arthashastra (political science) and Kamsutra are true
reflection of the Indian literary excellence. Early Hindi literature, in
dialects like Avadhi and Brai, began around religious and philosophical poetry
in medieval period. Sant Kabir and Tulsidas were the greatest exponents of the
Hindi literature during this period. With the passage of time, the Khadi boli
(dialect) became more prominent and saw a great upsurge, which continues to
this day. During the medieval period, Muslim literary traditions dominated
a large part of Indian literature and saw flourishing of Muslim literature.
Muslim rule during the medieval times saw rapid growth and development of
Persian and Urdu literature in India. A huge variety of literature spanning
across history, culture and politics was written in this period.
With the coming of
the British in India, works started to be written in English language. As more
and more Indians became well versed with the English language, the number of
works in English literature began to grow. During the contemporary times,
numerous Indian authors have made their mark on the world English literature
scene. Some of the most noted Indian born or Indian writers are R. K. Narayan,
Vikram Seth, Salman Rushdie, Arundhati Roy, Amitav Ghosh, Khushwant Singh,
Anita Desai and Jhumpa Lahiri.
Indian literature,
through its umpteen legends and folklores in prehistoric times, is today
unanimously recognized and acknowledged as one of the oldest in the world.
India possesses twenty-two officially accredited languages and a colossal
variety of literature has been produced and reproduced in these languages over
the graduating years. It, thus, becomes evident that the history of Indian
literature assimilates within itself an endless variety of untold stories and
facts from ancient, medieval and comparatively modern times, which can be
personified as a living entity.
History of
literature in India can be smoothly divided into three periods, comprising of
the ancient, the medieval and modern or contemporary. The period of the ancient Indian literature can be
delineated by those very first orally transmitted (shruti) valuable treatises
in the guru-shishya mode, which gradually were replaced and revived in the
Vedic Period, denoting just the commencement of Golden Age in India, through
Sanskrit literature. Second in line was to arrive the era of Medieval Indian literature, which
witnessed a shift towards much more religious zealousness in regional
divisions, although Sanskrit still was retained as the essential penmanship
language. Among the best known works re-delineating history of Indian
literature and its inherent involvement with present Indian scenario, Kalidasa and Tulsidas (legendary for his epic
Hindi poem based on the Ramayana, named the Ramcharitmanas) top the ancient and
medieval times.
The history of Indian
literature is the historical development of writings in prose or poetry, which
aim at providing education, entertainment and enlightenment to its readers, as
well the development of the literary techniques employed in the communication
of these pieces.
The study of the
development of African literature leads to various reflections on the future of
the continent and its population. Self-knowledge and consciousness of
one’s cultural identity are two major factors in the process of affirmation of
one’s personality. To share these values with the other continents of the globe
is essential for the Africans whose culture and civilization have been denied
or rejected during many centuries.
African literature is
highly diversified, even though it shows some similarities. In fact, the common
denominator of the cultures of the African continent is undoubtedly the oral
tradition. Writing on black Africa started in the middle Ages with the
introduction of the Arabic language and later, in the nineteenth century with
introduction of the Latin alphabet. Since 1934, with the birth of the
"Negritude," African authors began to write in French or in English.
Since the 1960’s quantitative and qualitative changes could be observed in the
field of publication in both Francophone and Anglophone states.
African literature consists of a body of work
in different languages and various genres, ranging from oral literature to
literature written in colonial languages (French, Portuguese, and English). Oral
literature, including stories, dramas, riddles, histories, myths, songs,
proverbs, and other expressions, is frequently employed to educate and
entertain children. Oral histories, myths, and proverbs additionally serve to
remind whole communities of their ancestors' heroic deeds, their past, and the
precedents for their customs and traditions. Essential to oral literature is a
concern for presentation and oratory. Folktale tellers use call-response
techniques. A griot (praise singer) will accompany a narrative with music.
Since the early 19th
cent. Writers from western Africa have used newspapers to air their views.
Several founded newspapers that served as vehicles for expressing nascent
nationalist feelings. French-speaking Africans in France, led by Léopold Senghor,
were active in the négritude movement from the 1930s, along with
Léon Damas and Amie Césaire, French speakers from French Guiana
and Martinique. Their poetry not only denounced colonialism, it proudly
asserted the validity of the cultures that the colonials had tried to crush.
After World War II, as
Africans began demanding their independence, more African writers were
published. Such writers as, in western Africa, Wole Soyinka, Chinua Achebe,
Osman Sembene, Kofi Awooner, Agostinho Neto, and Tchicaya u tam'si,
Camera Laye, Mongo Beti, Ben Okra, and Ferdinand Oyono and, in
eastern Africa, Ngugi Wa Thiongo, Okot p'Bitek, and Jacques
Rabémananjara produced poetry, short stories, novels, essays, and plays. All
were writing in European languages, and often they shared the same themes: the
clash between indigenous and colonial cultures, condemnation of European
subjugation, pride in the African past, and hope for the continent's
independent future. In South Africa, the horrors of apartheid have, until the
present, dominated the literature. Esaki Mphahlele, Nadine Gordimer,
Bessie Head, Dennis Brutus, J. M. Coetzee, and
Miriam Tlali all reflect in varying degrees in their writings the
experience of living in a racially segregated society.



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